by Collin Van Uden on January 22nd, 2012
1981, 81, 81 We’ll have an awful lot of fun with HR1981
Taken to it’s dark conclusion it’s a permanent intrusion (no of COURSE we won’t misuse it) but it’s not like we’re imposing on your right to own a gun
We’re protecting all the children by assuming you’re a crook (in another year or two we’ll catalogue your each and every look)
In the age of information you ARE the threat to all our stations so do right by your great nation and ignore that shadow son
It’s just the friendly and benign approach of 1981.
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by Collin Van Uden on September 22nd, 2011
I know, right?
I am the wind that whispers
Carrying voices long dead upon my wings
I am the silence of the moon reflected
From the surface of countless pools
My gentle touch pierces their their depths without trace
Without disturbance
I am the shelter and the storm
The rain, the shine
The seeing and the seen
I am the eagle soaring
And the prey on which it dives
I am the humble and the profound
The life that is given
And that which takes it back to whence it came
I am the sword and the arm that wields
My wrath is volcanic fury
Spewing havoc untold
The dying star that engorges worlds
The wave that pounds until the very mountains crumble before me
I am the dew suspended on the edge of ruin upon a single strand of fragile web
The weaver and reaper both
It is my name sung by the very bones of the Earth
By the howl of the wolf
The cry of the raptor
The mute ruminations of distant stars
And I who call it
I am the heart
The lungs
The veins
The very blood of all that lives
I am tenderness, I am rage
I am compassion, I am unmerciful fate
I fly
I crawl
I swim
I dig
I feast
And it is my carcass feasted upon
I am all that has past
And I am all that portends
All possibility is contained within and becaused by my being
I am fear, courage, love and hate
I am blessing, and I am curse
I am understanding, and confusion
I am Order and I am Chaos
I am the reason and the rhyme
I am the nature of truth
And truth is my nature
I am all, and I am none
For truth cannot be contained
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by Collin Van Uden on September 20th, 2011
Said the cat to little Alice
“We’re all mad here!”
Said Alice to that grinning beast
“Madness I don’t fear.”
Said I to the madness
“Just leave me alone!”
The Madness spake so:
“Never while you’re flesh and bone“
“There’s a method to the mayhem?”
Says the puppet to the string
The string says naught,
Not a word, not a thing
“The end is nigh!”
Says the prophet to the mass
The bloodshot sky
Nods agreement with a crash
An eye for an eye;
Breath stolen on a whim
Inspires doubt in all of us,
You me her and him.
You needn’t fear the Darkness,
Bonnie lass, so wipe your tears
For the Darkness fears you and your innocence my dear.
So Madness descends
In it’s wake a kenning true
In all the world revolving
Nothings old, nothings new
All was once before
All will be again
All will be forgotten
All remembered in the end
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by harlequinraw on September 16th, 2011
Remorse, regret, fear and ruin – melancholy made manifest, devourers of provident hope.
Romance, lust, joy and aspiration – a heart unbound, rampant and rife.
Love and grief, imbuing a certain narcissism, a subjective self reflection looked upon awkwardly by peers unable to empathise with the grievers lament, or the lovers bliss.
An oddity, is such a narcissism. Woe’d, we crumble. Bejoyed, we radiate. Both a faultless circumstance that need not be begrudged, a reaction to the temporal and spatial relativity of the object of our affection, yet both a cankle against the minds of those scratching out existence at less precipitous ends of the emotional coil.
These outlying emotions are to the picketed society a threat – to order, to rationale, to the constructed average of experience deemed as normal, as “healthy”, a perjurious reality most artfully conspired. Ironic that in these, the hours we seek solace from judgement, that we are most easily judged for daring to share such vulgar emotions. By accusing eyes placating comfortable frugalities such expressions of self — genuinely heartfelt pleasure or pain — are measured against inadequate conventions, arbitrarily dismissed as something other, something peregrine, something untrusted. A shared fear perhaps, of such experience on and beyond the fringes of temperance, of the slightest hint of fruitful chaos amidst such a painstakingly contrived notion of ‘order’.
And a fruitful chaos it is – what heights of art or science would have been attained had those that reached them simply been content with stagnation within a spirit of mediocrity? What achievements are yet denied by the merciless scurrying of the arbiters of temperance, the disengaged and dampened response of the cultivators of insufference, the ignorant wielders of lazy minds and false hearts? What greatness could we accomplish if given the mere freedom of sinking to the lowest depths of despair, of ascending the most dizzying heights of elation?
Weep now for tomorrow
For the tears not let to fall
A world without a sorrow
Is the cruelest lie of all
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by Collin Van Uden on September 13th, 2011
I am elation
I am sorrow
I am yesterdays tomorrow
I am the golden sunshine
And the driving rain
I am the balm for your wounds
And the cause of your pain
I am the storm
I am the calm before
I am the tempest and the wreck ashore
Like a force of nature I’m the rising din
The very breath of Hades hot against your skin
I’m the boy that mothers warn about
I’m the one they all love to adore
I’m the one you never want to see again
I’ll leave you craving just a little more
Can you tell me why I struggle?
Do you know just who I am?
Maybe you’re the one I’m looking for
With these blinded eyes
And numb cold hands
Will you dance with me in darkness?
Will you bathe with me in light?
I’m really not that interesting
But I’m an arm to cling to in the chill of night
I am a new day breaking
I’m the setting of the sun
I am the perfect alibi
I’m the god forsaken smoking gun
I’m the flicker of the candle
The leaping shadow that it casts
I am the sum of all my sorrow
I’m every hollow beat of my bleeding heart
I am just what I am I say
But we all know that that’s a lie
I have fucking no idea
That’s the truth – cross my heart and hope to cry
What am I but what I am?
And just what that might be?
I’ll be damned if I’m not a holy man
But am I holier than thee?
I’ll let you crawl into my cradle
Then dig you an early grave
With your blessing I’ll be leaving
Back to the safety of my cave
This living gig is killing me
Said the sailor to the moon
But there’s no light for me to cling to
If I lay down in my ocean tomb
I am a father and a son you see
A brother, friend and more
So what am I unto myself
But a bitter new scar to settle the score
I was the boy I thought I’d be
The man’s still yet to know
So if you’d kindly pour another round
We can get on with the show
We’ll dance the dance of flowers
We will stretch our hands toward the sky
And when our blackened lungs run out of breath
We’ll lay right down and die
When our blackened lungs run out of breath
We’ll lay right down and die
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by Collin Van Uden on September 12th, 2011
Hi there internet. It’s been a while, hasn’t it? Apparently I’m trying this whole ‘put a bunch of scattered ideas and notions into something resembling coherency’ thing again and here’s what came out first. Enjoy. Or don’t. It’s your screentime douchebag – do what you want with it.
The opposite of love has never been hate.
Once upon a time, a younger (and ergo, unwiser) me would have said that it was fear, but the grown up(ish) version has revised the theory somewhat. The latest rendition kind of came to me during a conversation about how so many of my favourite songs, those that just seem to dig into every fibre of my being like some kind of wayward organ coming home and reattaching itself to something vital inside my chest have the same, or at least similar chords. Yeah I know – it’s the ‘resonance’ thing, but that’ll be the only time I use the word, I promise. Besides, language does its thing and demonstrates these kind of ideas based on generations of contemporary conclusion. Do ‘Ring a bell’ or ‘Strike a chord’ ‘sound familiar’? Yeah, I thought so.
Right, on with it then.
So the opposite of love (I have decided in my supreme wisdom), is grief. Okay hold up now – before we get too much farther into this thing, you’re going to have to get up to speed on what exactly I mean by love. In a lot of ways, it’s kind of like autism. Yeah, I know. But still – pay attention.
The autism thing is (unqualified opinion caveat: “seems”) complicated, misunderstood and has the collected sciences scratching their boffinous heads in some way or another. There is one thing they tend to agree on however, that it is a spectrum of behaviour, upon which what we typically label as ‘autism’ sits, somewhere between aspergers and Mcauley Caulkin in ‘The Good Son’. Love? Exactly the same.
In Collin’s magical rainbow love spectrum, we can include the whole gamut of “OOH, ME LIKE” kind of emotional connection. <- Pay attention to that last word – it’ll be a recurring theme. So platonic friendship based on a mutual enjoyment of ferret hunting is a kind of (weird, but nonetheless) love. I’d consider this the weakish end of the spectrum, unless you both really, really like ferrets, in which case you could say it goes a little deeper. That compulsive, heart pounding, inexplicable “I’m going to tear all of your clothes off and bury myself inside your skin NOW before every blood cell in my body bursts into an auto-erogenous supernova of pure unadulterated desire I’d put somewhere toward the opposite end of that spectrum (Shutup, it happens. I’m told.) The deep kinship formed by lifelong friends and partners I’d seat in that solid (if terribly over-rated) normal/healthy/functional part of the spectrum and parent-child? Well, spit a clone through that whole damn thing and back out to and through the other side and you have a starting point for where that level of relativity begins.
Because really, that’s what it’s about isn’t it? Regardless of where on the spectrum two beings happen to sit, it’s how they relate to one another that defines where and how they meet. And paradoxically, how and where they meet on that spectrum goes on to define how exactly they relate. It’s a little metaphysical and really, really badly described but stick with it – I’m sure you’ll (ok, we’ll) find a point in here somewhere. The important bit is that the mechanics of attraction, reaction, repulsion and for want of a better term – emotional gravitation – remain the same. The players, and the contexts in which they move within this little biochemically fractal* environment change.
You click. You relate. You love. But this isn’t some static, vaccuumy environment we’re talking about here, this is life. The greatest fucking show on earth (to paraphrase Dawkins). Perhaps the object of your affection (which again, literally meaning ‘emotion, inclination, disposition; love, attraction, enthusiasm is in the grand scheme of things – well, this one anyway – contextually, a big deal) has changed. Perhaps you as an object upon that same relativistic scale of affection have changed. The change itself changes the relation within that tide of intrinsic emotional relations, one feeds the other, away or towards, hither, or thither. The objects change, so does the connection. The connection changes, so do the objects. Either way, your position on my little hypothetical rollercoaster of (somewhat badly described, for which I can only offer my apologies) emotive gravitational swell changes. Now assuming that, like most of us, you are a creature of habit, then that change will be at the very least a little difficult. There’s a natural resistance to the moving away bit for the safety of the emotional environment you’ve become comfortable with – that you’ve grown into. Some Darwin bloke postulated a similar thing a while ago about the passing on of certain physical traits that thrive in immediate environments. Evoluigi, or something. Anyway.
Grief.
Let’s say that you, or your counterpart has changed so much that that affection simply vanishes. It happened to me when they changed the seasoning on the KFC chips. Bastards. I got over it, but man – I miss those chips. Now, let’s scale up a bit and let’s say you lose – oh, I don’t know – the love of your life. Not the life itself, just the love bit. The object remains, but the relationship (or those objects within it) changes to a point where you simply feel… different. If that little survival switch is thrown, if for any of the plethora of reasons that are fired in such a situation you resist that change – enter grief.
Now let’s say for argument sake that grief is a spectrum of an intrinsically similar, yet exactly opposite nature to that of love. The closer the objects, or event perhaps (because I’m thinking the ‘opposite’ bit here means a switch to temporal, rather than spatial relations – or at the very least a symmetrical compensation of the two.) the more tightly bound the relationship between two points on that spectrum, the keener the grief. Time passes. People live their lives, the grief subsides. Antipodal – grief and love in this imagining are entwined, part of a self-regulating double-helix of human interplay. Feeding each other, and by each other’s hand fed.
When I was very young, I watched, and listened, as my best friend’s mother grieved her death. The sound of her keening was beyond mournful, like nothing I’d heard before, and like nothing I’ve heard since. It was a physical presence, this grief, an audible acknowledgement of the lack of someone – at once the most surreal, and most very, very frighteningly real thing I’d experienced in my young life. In much the same way, love achieves that same level of presence, be it [redacted for the sake of the less sexually comfortable amongst you and, let’s face it, a guy has to keep some secrets, right?] where the act itself becomes something tangible, something separate from the two bodies lying skin to skin, yet born of it.
And never, ever have I lived an experience more thick with emotional viscosity that when my first daughter was born. It was as if time slowed to a halt, the heartbeats of every person in that room pounded a staccato rhythm into my own chest, and every breath from every lung was mine to draw, ours to share. It was, and remains, the kind of thing that words alone cannot express. A subjective experience that like my friend’s mother’s grief, is wholly, entirely subjective***.
We have this tendency to moderate behaviour – socially, and individually – as if our lives, our society, and the world as we know it will scatter to dust if we cannot pinpoint and suitably fit every single life within it into some fanciful ideal of normalcy entirely irreconcilable to any accurate interpretation of the reality in which we live. To hell with that. This is life. Live it.
Love is about the connection. Grief; its loss.
In love, collide. Come together like the stars before you collided countless aeons ago to form the very earth on which you stand.
In grief, crumble. Don’t be afraid of collapse – no matter how many pieces you shatter into, you’ll come back together in the end.
And if you must sit somewhere in the middle, by choice or circumstance – either be prepared to come for the ride of your life as we zing on by, or get the hell out of our way.
* I do love to piss off teh scientists with made up terminology. No really – it’s pretty much what I live for**.
** Yeah, I know how sad that is. WAS I TALKING TO YOU?! SHUTUP AND GO BACK TO READING MY BRAINSPILL.
*** Yup, there’s a whole other comparison ripe for the making, and I ain’t touching it. Not this time, anyway.
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by harlequinraw on July 27th, 2011
The thoughts flit, a thousand fireflies dancing enswarmed above a fecund swamp of imagination, thick with the gurgle and chirp of ideas and haunted (always haunted) with predatorial doubts of self.
But life lives.
A caretaker, a parallel stream of consciousness born of the rift between breakdown and the onslaught of real and imagined profundities amidst the insipid encroach of an enlightenment that is most commonly anything but.
A blighted ferryman, eyes, hands, ears, nose and mouth gagged by the journeyers very flesh.
Entombed; mute, blind, deaf and impotent to determinative action, a puppet dancing a madman’s frenzied tune played out upon it’s strings.
P.
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by Collin Van Uden on March 22nd, 2011
A science should be defined by the questions it asks. Take for example technology science – it’s questions range from the challenges of engineering and configuring hardware to perform at ever changing optimums of efficiency (no doubt to an inefficient budget) to “How do I turn this damn machine on?”
The public is made of people. Some of these people ask questions. Some find answers. All ask questions that have been asked before and some few of these even find peregrine answers to these questions that are not always invalidated merely by the existence of an alternative conclusion.
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by Collin Van Uden on March 22nd, 2011
In a lot of ways, this sums something up for me:
“The origins of modern science probably date back to the 1600?s, when the first Learned Societies and Academies were formed, and the idea of using experiments to test theories took hold. There have been huge changes in many things since then – but it is interesting that the way that science is done hasn’t neccessarily changed all that much: we still make careful observations of the natural world; develop theories to explain it; build equipment to do more experiments to test our theories, and write scientific papers that are published in academic journals – sometimes the same ones that were around 350 years ago. One thing that has changed within science is that it is now a professional occupation (rather than simply a pastime for the wealthy or obsessive); and of course there are many more brilliant women scientists working in science than there were even as little as 100 years ago.”
This is sourced from The “I’m a scientist, get me out of here!” site which is (and let me make it clear that this interjection exists pretty much to balance out the additional length this took from a brief moment of ranty waffling) both an excellent idea and (and here’s the aforementioned ranty waffle) an awfully conceited demonstration of the (ever so subtle) holier-than-thou mentality responsible for the separation of science and the public in the first place. The ‘public’ began to resent science the minute ‘Science’ (with a capital damn S!) felt it was something apart from the core of its natura naturans.
To me, much of the same argument quoted above Unlogiccan be held to the complete history of human invention. From throwing rocks to applying observations of the natural world and developing theories that seem today mere superstition, human existence, the simple acquisition of experience and subsequent expression of curiosity was a science in the same way geology is a science. Those “pre-scientific” observations formed the very intellectual cornerstones of the contemporary scientific ‘machine’ self-notedly still grasping into vast expenses of unknown ground.
At least its not like one of those lesser respected scientific branches, like psychology, medicine or agriculture. Or even *shudder*… Astrophysics.
Whoa, I feel dirty just writing it.
(brb, cleansing brain with acid)..
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by Collin Van Uden on March 3rd, 2011
THIS POST DOES NOT EXIST YET IT’S JUST STUFF. WHY ARE YOU EVEN READING IT, GO READ SOMETHING SANE.
A web of a kind, but it’s weaved of goop. And some of that goop is INVISIBLE.
I get all bemusedly sucked in is the way people connect.
In order to explain how we connect, we seem to consistently subscribe to some form of reckoning of ‘Dots and Lines’. (if I may be so bold as to paraphrase entire schools of thought, over centuries of metaphorical representation encompassing the entire history of humanities attempts to intellectually grasp a comprehension of how it relates to itself and partially the means, modes and methods resultant from that conceded comprehension in a mere three words.)
Breath now. Good, asphyxiation averted.
These mental constructs of Dots and Lines serve a similar purpose to numbers, in that they are merely representing a concept; in the case of the number seven for example, the visual representation that is ‘the number’ itself doesn’t really matter, so long as the concept expressed is understood by those to whom the concept is being expressed. 7 is different to seven, yet any who have been trained (or can otherwise discern) these two completely different forms of expression (alphabetical and numerical) know that the concept is one of a count of seven individualities, of whatever nature the context dictates. If the context cannot be determined, the count itself becomes context.
Simple, but effective. In my school we were also taught expressions created by other cultures, the method – a whole other language.
Dots and lines are pictorial, making for the most ubiquitously recognizable depiction of, well – pretty much anything really. Yet they describe the complexity of such a anthropomorphic dependancy as the total and holistic sensory (tautoloslap!) and environmental experience of simply existing together with all a parallel logic to that which suggests that picture of a circle indicating the ‘number’ zero articulates the concept of nothing.
Imagine each person a ball, influencing and being influenced by balls in every direction around them, from any direction. They have freedom, it that there is movement through a vast environment. Consider that not only do these representative spheres interact physically, but each ball emits certain characteristics that remotely influence the balls around them. These remote sensory emissions are received and by way of a highly complex processing system we do not yet fully comprehend are assigned value – merit or (?) and by the part of that valuation, subtly influence the deterministic behaviors inherent in each individual ball. These behaviors then in turn influence remotely balls which to which they have both physical and remote connection.
There are also created ‘lines’ of connection (or more properly, ‘communication’) that are created with the express purpose of conducting this method of connection. Many of these are static within the environment of our hypothetical multitude of spheres, and few of those vectors of informational traffic are accessible without transactional arrangements between individual spheres or specialised ‘spherecells’.(…) create, maintain and facilitate access to these vectors of connection, and some that are amorphous(?), and all of which – by nature of their design – are able to very nearly penetrate to any other sphere in the environment with access to them.
These and other routes of cofluence (zomg, buzzword.) create causual field of influence, more than the individually considered conscience a persuascience.
In a perfect display of informational retention, the input received from this perennial and omnidirectional field of persuascience (although persuascient field sounds so much cooler) this input can be used to fuel both externally exhibited behaviors, and the internal mechanisms driving the very cognition of these behaviors, which can be concealed from spheres around and percepitatively and when inhibited.
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by Collin Van Uden on February 28th, 2011
It’s been a while since this was posted to it’s original location, which I’ve essentially abandoned, so putting it up here for posterity..
A story, I would tell you
If I may be so bold
Forgive the teller would you
It’s rather long – and old
A tale it is, of Kings and Queens
Of thieves and beggars too
Knights and castles have their place
As all the commons do
Of Merlins, Sybils, Gods and men
Of women and their young
Of labours done and fell to dust
Remembered only by the sun
Of Jesters and their antics
The burdens borne both ways
Of difference and of sameness
Of night and dawn and day
Of woe and wrath and ruin
Of injustice and appall
Surely too, of joyous mirth
Of triumph standing tall
Of war, of peace, advocates of each
The foes they stood against
Beaurocrocies, corruption
Of brief enlightenment
All of that we hold so dear
And all that we despise
Is echoed in this story
As is the odd surprise
Of grasping golden legacies
Inherited and made
The cost of blindly doing so
The tragic price that’s paid
Of ignorance and kenning
This tale will timely tell
Brutality, compassion
Cold chance’s part as well
‘Tis a grand old story
The one I’d like to share
But alas it’s ending;
For that I won’t be there
You see dear reader though the tale
Will tell itself in time
This short address of history
Is all of ours, not mine
Each of us has a part to play
Each our thread to weave
We come, we dance, we sing our song
And then it’s time to leave
The picture on a grander scale
Is shared by one and all
It’s what we have in common
Not a common view at all
We tell and we are telling
We take and give in kind
The tales of those around us
All influence our rhyme
Our ethics and our values
Our fortunes good or ill
Are all but ink upon the page
We’ve all in hand the quill
So write your little chapter
(for the task is none but yours)
And know the book grows heavy
Each page inspiring more
And if we could expand our scope
We’d find that book but one
Amongst the library of the stars
Their song – like ours – yet sung
So spin your web dear traveler
Your sparkling little line
It’s beautiful, of that I’m sure
As I hope you’ve found mine.
And should you be inclined to scoff
Your view on mine be terse
Recall ’One Song’, in older tongues
Bespeaks a Uni-verse
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by harlequinraw on February 23rd, 2011
The sullen dawn arises
From it’s coffin of nocturn
Await what new surprises?
Of what fresh suffering shall we learn?
Be good, bogan media.
P.
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by Collin Van Uden on February 22nd, 2011
I am Wrath, I am Ruin
I am Spite’s own wicked grin
I am Mercy, tender-hearted
Leeching thee of all thy sin
Let me cleave, parasitic
To your practical address
When you leave, all aquiver
It’s with your logic in a mess
Allow me now to swallow down
Each bitter point of pride
Euphoric with abandon
I’ll devour you inside
Feel me burrow like a graveworm
Into every burdened fear
Together we’ll decay my friend
Into forever dear.
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by Collin Van Uden on February 14th, 2011
Note: I’ll be a little quiet for a while, whilst I’m without connectivity to the outside world (and today particularly, drowning my sorrows. ; _ ;)
Romeo and Juliet enjoyed a brief romance
It ended somewhat tragically, when she fell into trance
Romeo had thought her dead and took his own young life
Spilled out all his blood in the tomb with his knife
She woke up and spied the deed, resolved to do the same
Blood doesn’t smell as sweet as that flower (by any other name)
And while tale in any length is truly rather sad
The lesson here is clear methinks: quite simply,
DRUGS ARE BAD.
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by Collin Van Uden on February 9th, 2011
Ever more keenly carved were the paths our lives take by that to which we are ignorant, than that which we have come to know.
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by Collin Van Uden on January 30th, 2011
The night is thick, that darkness not banished by streaks of fluorescence from scattered streetlights whole.
The light brings no comfort, serving only to strengthen that already claimed by shadow.
The night is heavy, pregnant with the fears of those that dare traverse her, a fecundity that beckons to those who would inhabit her.
The dark breathes, promising malice. The wind whips, and the very trees quake, rasping warning to all that would hear:
Run!
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by harlequinraw on January 28th, 2011
The reasoned mind remains so at a whim, reason itself perched upon a treacherous mountain of sand, it’s comfort an untruth, a security bought at the cost of instinct, of a myriad of conveniently manipulated falsehoods.
The seeds of madness are not sown in carefully cultivated fields of righteous order as our epoch has come to believe, chaos is the garden untamed, abandon the default, it’s logic pure, cold, incalculable.
So perch atop your dreadful mountain, traveler. Know though that when the carefully shaped bells of your hourglass break, the multitudinous grains unbound, you fall but to freedom, your screams of rage inviting naught but dry suffocation, for to deny chaos is death, to expect stagnation insanity.
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by Collin Van Uden on January 24th, 2011
Found this:
[..]This simple decision, taken by a computer scientist used to working in environments that promoted openness and transparency, eclipses any hype about subsequent Twitter revolutions, Facebook campaigns or political protests ascribed to the platform since. The invention of the web is comparable to Gutenberg’s invention of the printing press in 1450.
Like the printing press, the web has already been credited with ushering in an age of enlightenment; it is hailed, too, as the most powerful harbinger of social change the world has ever seen. But this isn’t the first time such claims have been made. Tom Standage, author of The Victorian Internet, has argued that the telegraph, in the 19th century, inspired rampant technophilia. “The telegraph was the first technology to be seized upon as a panacea,” he has written. “It was soon being hailed as a means to solve the world’s problems.
“It failed to do so, of course – but we have been pinning the same hope on other new technologies ever since.”
Source: The Guardian
Which reminded me of this tripe about the NBN.
What both of these pieces fail to take into account is the considerably simple fact that technology can not deliver anything more than those sending and receiving via that technology use it to do so.
For example, the author of the aforelinked writes;
Television promised documentaries and education. We got Australian Idol and The Bold & The Beautiful.
The web offered e-commerce and sharing of knowledge. We got porn websites and Facebook.
Email promised instant communication. We got spam.
Seriously? No, WTF – SERIOUSLY?
1: Don’t watch crap TV. (I’m sorry B&B, you know I love you.)
2: Tell that to Amazon. Or eBay. Or anyone who’s ever learned anything via the internet. (No seriously, I know like, 6 different words for “penis” than I did before it was invented. Before the internet was invented that is, not the penis. Just so we’re on the same page ‘nall.)
3: I have no words for this last. The statement is such “twaddle” my internal organs ache from the irony every time I read it.
There’s this common statement that I both love for it’s accuracy, and despise for the ease with which it is used to misrepresent the potential of the digital realm. You may have seen it yourself a time or two:
The internet (or derivation thereof) is (usually ‘just’) an echo chamber.
Damn straight it is.
But it’s a chamber in which those echoes are bound, contained, displayed and archived for the perusal of any and all so inclined, the echoes themselves the published thoughts, beliefs, questions and conclusions of whole generations, a repository of human inquisitiveness such as which has never been known in the history of our civilization, or those which came before.
So yeah, the web, and the infrastructure that enables both its existence, and the participation of its users to it is kind of a big deal.
“But what about the real world!”
It’s still there isn’t it? Or has your proclivity for watching hours of online porn and daytime soaps gone so far as to have actually removed your ability to go outside and sniff a tree, talk (you know, with your voice) to people, to shave the next door neighbours cat?
No? I didn’t think so.
Technology was never the problem. Technology is incapable of making promises, let alone delivering on them.
People screw shit up. Technology in any of its forms is just another way for us to do so.
Edit: If you want a much better (and less ranty) slaying of assorted “down with the NBN!” catchcries, check out Marian Dalton‘s thoughtful piece at The Conscience Vote
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by Collin Van Uden on January 19th, 2011
“But but but,” I hear you protest, “what about the children? They’re learning bad things online!” Yes and they used to hang out on street corners and learn bad things there too. Now that we’re so scared of one another in real-life that we won’t pop next door for a cup of sugar in case the lollipop man has a gun or is a paedophile, the web is our way out of our gilded cages.”
Source: The Guardian
Read the rest of the article – I especially enjoyed the Cain and Abel reference.
You might also enjoy this:
Facebook won’t make your kid suck at college [Wired]
This post originally published on Posterous, Dec 27, 2010
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by Collin Van Uden on January 16th, 2011
Said the parrot to the king
All the Highness quoth before
Pleaded the parrots keeper
“Tell me more, tell me more”
So told the father to the son
“Boy, you’ll make me proud”
Asked the child of his mother dear
“Why does daddy talk so loud?”
“Well I never saw this coming”
Cried the martyr to the flame
“Never thought I’d be the one
To suffer for the blame”
“Wasn’t I that chose this path”
Mutters furrow to the plough
“I’ve never previously kicked a fuss
So won’t be starting now”
The stars all smile knowingly
Though they whisper in the dark
Each aswell with self import
To sundry – just a spark
Inspired the bard will wield her song
The scribe his mighty pen
The punditry demand attention
And the words all dance again
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